Live Streaming Encoder Guide
From a single camera to a 16-channel rack: understand protocols, bitrate and interfaces before choosing a model
In any live production chain, the encoder is the one device that decides most of what the audience experiences. It sets picture quality, bitrate and the transport protocol, and it determines what happens the moment the network misbehaves.
This page answers four practical questions: why choose a hardware encoder, how to read latency and bitrate, which protocol fits which job, and how to handle multiple channels or unusual sources. Model specifications below are quoted from the relevant ORIVISION product pages.
1. Why use a hardware encoder
You can run software encoding on a PC. Here is when dedicated hardware earns its keep.
24/7 continuous operation
A hardware encoder is a purpose-built embedded appliance with no OS updates, antivirus scans or competing workloads competing for resources.
No PC at the venue
Connect source and network and it runs. Nothing else needs to be on site, and nobody has to reboot anything between sessions.
Multiple simultaneous channels
One camera on software is fine. Four, eight or sixteen concurrent streams is where multichannel hardware wins on both cost and stability.
Failure is not an option
Watchdog behaviour, predictable recovery and a fixed, repeatable parameter set make it far easier to get identical results every session.
2. Reading latency and bitrate
These two figures carry most of the weight for both experience and cost.
Latency comes from three places: encoding itself, network transport, and buffering at the player. Taking 1080p as an example, the ORIVISION entry model ZY-EH1211 tops out at 1920x1080@30Hz while ZY-EH1201 reaches 1920x1080@60Hz. If you need a hard end-to-end figure, give an engineer the protocol, bitrate and player together and ask for a measured value - quoting milliseconds without those three conditions is meaningless.
Bitrate: several ORIVISION models support CBR/VBR rate control spanning 16 Kbps to 20 Mbps (some models are listed with lower ceilings such as 12 Mbps or 16 Mbps; check the individual product page). In practice, leaving roughly a third of your upstream bandwidth unused holds up far better than running it flat out.
3. Choosing a protocol
ORIVISION encoders generally support HTTP, RTSP, RTMP, RTMPS, SRT, ONVIF, GB28181, RTP, UDP multicast/unicast, FLV and HLS. The usual choices:
RTMP / RTMPS to platforms
The standard route to YouTube, Facebook, Twitch and similar destinations. RTMPS is the encrypted variant.
SRT across the public internet
Designed for unreliable networks, with packet-loss recovery and jitter buffering. Far more robust than raw UDP for long-haul or multi-site links.
RTSP / ONVIF / GB28181 for surveillance
The common options for NVRs, VMS platforms and GB/T 28181 compliant systems, widely used in security projects.
HLS / FLV for distribution
Pull-based playback for internal portals and your own players.
UDP / RTP multicast
One stream to many receivers on the LAN, saving upstream bandwidth.
4. H.265 or H.264
Most ORIVISION encoders support H.265, H.264 and MJPEG, so you can switch per project.
H.265 (HEVC)
Meaningfully lower bitrate than H.264 at comparable quality, which suits constrained bandwidth and long unattended runs. Verify compatibility with older players and downstream platforms first.
H.264 (AVC)
The safest bet for compatibility with public platforms, legacy decoders and third-party integrations.
MJPEG
Available on selected models where frame independence and low decoding complexity matter.
5. Channel count and unusual sources
Camera count and source type often decide the model before picture quality enters the conversation.
A single camera
Compact units such as ZY-EH1211, ZY-EH311 and ZY-EH1201 measure about 125x72x25 mm and can be tucked beside the source equipment.
4 or 8 channels
ZY-EH1304 provides four HDMI 1.4 inputs with independent audio; ZY-EH404 and ZY-EH408 handle 4 and 8 HDMI inputs respectively, the latter with two RJ45 ports.
Rack mounting
ZY-EH1411-1U is a standard 1U chassis; ZY-EH3116-3U takes 16 HDMI inputs with 16 channels of embedded audio, suited to centralised equipment rooms.
Sources that are not HDMI
For SDI cameras choose ZY-ES1401 with SDI loop-out. Legacy equipment with only VGA output is covered by ZY-EV1201 with VGA loop-out.
6. Current encoder comparison
Listed fewest to most channels. Specifications are quoted from each product page; a dash means the page does not state it and you should ask us directly.
| Model | Video Encoding | Max Resolution | Video Interfaces | Protocols & Notes |
|---|---|---|---|---|
| ZY-EH1211 | H.265 / H.264 / MJPEG | 1920x1080@30Hz | HDMI in plus 3.5 mm audio; RJ45 and HDMI loop-out | HTTP/RTSP/RTMP/RTMPS/SRT/ONVIF/GB28181/RTP/UDP/FLV/HLS |
| ZY-EH311 | H.265 / H.264 | 1920x1080@30Hz | HDMI in plus audio; RJ45 and HDMI loop-out | HTTP/RTSP/RTMP/RTMPS/SRT/UDP/FLV/HLS; audio AAC/G711 |
| ZY-EH1201 | H.265 / H.264 / MJPEG | 1920x1080@60Hz | HDMI in plus audio; RJ45 and HDMI loop-out | Full protocol set; 125x72x25 mm body, 0.2 kg |
| ZY-EH1301 | H.265 / H.264 / MJPEG | 4K@30Hz / 1080p@60Hz | HDMI in plus 3.5 mm audio; HDMI loop-out and RJ45 | Full protocol set; 1000M adaptive Ethernet; 16 Kbps-20 Mbps |
| ZY-EH1401 | H.265 / H.264 / MJPEG | 4K@30Hz / 1080p@60Hz | HDMI in plus audio; HDMI loop-out and network port | Full protocol set; LCD shows IP address, resolution and status |
| ZY-EH1304 | H.265 / H.264 / MJPEG | 3840x2160 input supported | HDMI 1.4 x4 plus audio x4; RJ45 x1 (1000M) | SRT/HTTP/RTSP/RTMP/RTMPS/HLS/FLV/UDP/RTP; 16 kbps-12 Mbps |
| ZY-EH404 | H.264 | Up to 4 channels of 4K in/out | 4 HDMI inputs; RJ45 x1 | Compact chassis, 23.8x12.2x2.8 cm |
| ZY-EH408 | H.264 | Up to 8 channels of 4K in/out | 8 HDMI inputs; RJ45 x2 | Chassis 48.2x20x4.5 cm |
| ZY-EH1411-1U | H.265 / H.264 / MJPEG | 4K@30Hz / 1080p@60Hz | HDMI in plus HDMI loop-out | Full protocol set; 1U rack chassis with IP/resolution display |
| ZY-EH3116-3U | - | 1920x1080 | 16 HDMI inputs plus 16 embedded audio channels | CBR/VBR 16 kbit/s to 16 Mbit/s; chassis 48.2x30x13.3 cm |
| ZY-ES1401 | H.265 / H.264 / MJPEG | 1920x1080@60Hz | SDI in plus 3.5 mm audio; SDI loop-out and network port | Full protocol set; 1000M adaptive port; 1080P/1080i/720P/576P/576i/480P/480i input |
| ZY-EV1201 | H.265 / H.264 / MJPEG | 1920x1080@30Hz | VGA in plus 3.5 mm audio; VGA loop-out and RJ45 | Full protocol set; broad VESA resolution input support |
FAQ
Describe your streaming chain, we will handle the rest
Give us camera count, source type, target platform and available bandwidth, and our engineers will return a shortlist of models with recommended settings.